【New Red Mansion】Perfect World

Chapter 373: Isn't it a waste of natural resources? A true character

The first performance was held in the afternoon.

Although this program is a competition, everyone is very friendly this time. Even the order of appearance between the two alliances has been discussed, and there is no trace of tension at all.

The first to perform was indeed the band Habby, who sang the song "Lady Marmalade". Although she had to change her costume temporarily, Wu Qing was very efficient, not only did she make it fit her perfectly, but she also gave her some nice accessories.

Today, Habby wore a corset with colored beads and a colorful mini skirt. The various accessories on her neck were particularly shining, and she also wore a pair of 8cm high-heeled half boots. As soon as she opened her mouth, she set the atmosphere to the highest level:

"Hey sister go sister,

soul sister go sister……”

As soon as the first verse was finished, Habib started rapping: "Do you fancy enough to hit it in the sack.

yes my kitty cat is all that.

and then some you are the one.

gotta represent gotta go thewhole run.

we could play all night gotta do it right…..”

Habi completely subverted this song. Only the first part of the lyrics is related to the original version, and the melody is similar. All the lyrics after that are newly written by her. This song has Habi's own personal style, which is different from other versions performed by others. It is neither sexy nor R&B style. It can be said that it is more girly hip-hop style, straightforward and innocent.

She also learned some swinging body movements from Shi Xiangyun, dancing to the beat, and occasionally interacting with the guitarist. After listening to Shi Xiangyun's advice and adding a trumpet solo, the whole style of the song really became more lively and the sense of rhythm was strengthened. Coupled with several changes in the tone of Habby, the audience saw a completely different band style from the first season.

Next it was the turn of Li Shuirong's band to perform. The entire band was dressed in casual black. Li Shuirong and another guitarist were playing metallic classical guitars. With the light shining from the ground into the air, this black and gold outfit made the musicians look like dazzling gems.

Li Shuirong's singing skills have also improved by leaps and bounds. When he sang the line "one love, one life...", his voice was like an echo scattered in the valley, with a rebellious yet firm sense of power, which drew applause and screams from the audience. It must be said that Li Shuirong is also slowly transforming from a young boy to a more mature one, and his singing will also have a more storytelling feel.

It is not only his singing skills that have improved. He never does anything without confidence. Since he decided to come to this program, he has been practicing hard for a while. In addition, he has a natural talent in guitar playing, which enabled him to show his best performance on the program.

If you use the best guitar and effects but cannot produce the most beautiful music, then it would be a waste of resources.

Li Shuirong also listened to Lin Pin'er's advice and added some female harmonies to the chorus, which was completed by a female bassist. This made the song more complete, and a kind of love and responsibility for all mankind was slowly reflected in the performance of the song.

Especially when the stage was completely dark with only six floor lights shining on the musicians from bottom to top, the poignant atmosphere was brought to the extreme.

The next band to appear was Lin Pin'er's. The lights were dimmed for a long time before the stage was lit up again:

The dark green courtyard wall is winding like a swimming dragon, and the mottled moss on the wall is like the fragments of time. A huge moon-shaped window hangs in the middle, and the swastika and bat patterns carved on the twelve panels are simple and elegant, cutting the stage into a flowing scroll. The "Deep Hall Qin Fun Picture" by the Song Dynasty painter is brought to life, and every ice-cracked wooden rafter is a fence of time.

The window lattices are covered with a semi-transparent veil, filtering the bamboo shadows into fine green gold. Outside the courtyard, the bamboo forest is like a sea, and the breeze blows, making thousands of bamboo leaves rustle, and the swaying bamboo shadows sway on the veil, like a flowing ink painting.

On the stone steps, six young book boys in green robes held scrolls in their hands and swayed their heads to the rhythm of the poem. Their clear voices echoed in the stage courtyard:

"I built my house in the human world,

There was no noise of carriages and horses.

I ask you how you can do that?

The farther your mind is, the farther away the place is.

Picking chrysanthemums under the eastern fence,

Leisurely seeing Nanshan...”

In front of the stage, five female musicians dressed as scholars in white. They sat in a staggered manner, their hair tied high, their wide sleeves blown by the wind, and their waists tied with ribbons of the same color. The girl on the stone steps plucked the pipa with her fingertips, and the strings tinkled. Lin Pin'er, sitting under the eaves, raised her wrist to play the guqin, and her wrist bone sank, shaking off three drops of water from the bells hanging on the eaves. Two others stood between the flowing water, playing flutes and singing in a melodious and graceful tune. Another person closed his eyes slightly, immersed in the rhythm and humming softly.

When all five musicians started to sing, the singing and the music intertwined, telling the distant artistic conception of the poem. The whole stage was like a picture of a gathering of literati with an ancient charm. The white clothes on their bodies were like spread rice paper, and the lights rotated, and the poems written in cursive were printed on them.

They seemed like bosom friends who met for music, or like classmates who sang a song together while the teacher was away. It was the first time for the audience to see a painting using music and stage performance, not to mention that this was a beautiful ink painting that moved and made sounds.

Then the band led by Jiang Yuhan came on stage. He wore a flowing shirt with an oil painting background and black wide-leg pants. When the wind blew, the ribbons of his shirt flew behind him, and his silhouette looked like a lonely little prince.

He began by singing two lines in operatic voice: "I shouldn't have inserted the crabapple blossoms diagonally, it's so timid, so elegant..."

Suddenly the band music started, and when they spoke again, they were singing the Cantonese version of "The Begonia Blossoms Still Sleep at Four O'clock".

"At four in the morning I saw the crabapple blossoms still awake,

Because we couldn't be together, I had a one-sided love and listened to the sound of rain alone;

For the bright love, who appreciates the frustrated,

How to fill in the beautiful plot;

Whose wish is so far away, like a telescope,

It has not withered, it still blooms, it still does not tilt;

In the dream, you nodded in thanks.

I was given a certificate of goodness, so I came to claim it..."

Jiang Yuhan is so beautiful and confident on the stage. It seems that he was born for the stage. Maybe because he has studied acting, he can quickly get into the mood when performing various styles of music, and express his understanding of music from the inside out. From the perspective of opera, he is a real star!